Teatro alla Scala Ballet Season 2011 – 2012

Teatro alla Scala Ballet Season 2011   2012 | Danza Ballet 
Teatro alla Scala Ballet Season 2011   2012 | Danza Ballet 

Onegin – Raymonda

Orchestra of the Teatro alla Scala Academy

After the double-bill Marguerite and Armand and Concerto DSCH, the Ballet Season at Teatro alla Scala will  continue in September and October with Cranko and Petipa, with Čaikovskij and Glazunov: on stage Onegin, (for nine performances from September 7th) and Raymonda (from October 3rd to October 13th).

The New  Ballet Season 2012 – 2013 will start in December  2012 with the Scala premiere of Sasha Waltz’s Roméo et Juliette.

Teatro alla Scala Ballet Season 2011 – 2012

7, 10, 11, 12, 13, 14, 15, 17, 18 settembre 2012


  • Coreografia John Cranko
  • Supervisione coreografica di Reid Anderson
  • Proprietà dei diritti Dieter Graefe
  • Musica Pëtr Il’ič Čajkovskij elaborazione musicale di Kurt-Heinz Stolze
  • Orchestra dell’Accademia del Teatro alla Scala
  • Direttore Mikhail Tatarnikov
  • Scene Pierluigi Samaritani
  • Costumi Pierluigi Samaritani e Roberta Guidi di Bagno
  • Luci Steen Bjarke
  • Étoile Roberto Bolle (7, 10, 12, 15 settembre)
  • Artista ospite Maria Eichwald (7, 10, 12, 15 settembre)

Produzione Teatro alla Scala

A disillusioned young aristocrat rejects, in sport, what he will later recognise as his true, real love, but by then it is too late. Onegin is the perfect example of modern “drama in dance”. Inspired by the novel in verse by Alexander Pushkin and reinterpreted with mastery and sensitivity by John Cranko, this great tale of ill-fated love is narrated through pas de deux with extraordinary expressive power, precision-sculpted characters and a splendid gallery of company numbers, from jovial peasants to the provincial bourgeoisie, to the nobility. Highlights include the letter scene in act one, depicting Tatiana’s hopes for requited love – one of the most demanding scenes in the modern repertory in terms of execution and interpretation –, the duel and the death of Lensky, and Tatiana and Onegin’s final pas de deux, the triumph of ambiguity and undeclared sentiment.

3, 5 (2 rappr.), 6, 9, 11, 13 ottobre 2012

Balletto in tre atti (quattro scene)

  • Libretto di Lidia Pashkova e Marius Petipa basato su una leggenda medievale
  • Coreografia Marius Petipa (1898)
  • Ricostruzione della coreografia e messa in scena Sergej Vikharev
  • Musica Aleksandr Glazunov
  • Direttore Alexander Titov
  • Scene originali di Orest Allegri, Pëtr Lambin, Konstantin Ivanov (1898) ricreate da Elena Kinkulskaya e Boris Kaminsky
  • Costumi originali di Ivan Vsevoložskij (1898) ricreati da Irene Monti
  • Luci Marco Filibeck
  • Ricerche storiche d’archivio e coordinamento Pavel Gershenzon
  • Artisti ospiti Olesia Novikova (3, 5s, 9, 11 ottobre), Friedemann Vogel (3, 5s, 9, 11 ottobre)

Con la partecipazione degli allievi della Scuola di Ballo dell’Accademia Teatro alla Scala

Produzione Teatro alla Scala

A new La Scala production in October 2011, this most faithful version of Raymonda to the original, which met with triumphant success in St Petersburg in 1898, returns for the 2011/2012 season. Based on a medieval legend, its libretto, featuring ladies-in-waiting, knights, crusaders and Saracens, castles and cathedrals, sparked the imagination of the young Alexander Glazunov, in his first ballet score, and the infinite wisdom of Petipa, who complemented it with an enormously rich and endless succession of classical variations, exotic dances and character dances, mime, lyrical pas de deux and a heavily featured corps de ballet, with a grandiose finale. Drawing on notation from the Harvard archives, original designs housed in the St Petersburg State Museum of Theatre and Theatre Library, La Scala presents the last great work from the glory days of the Imperial Ballet.

Teatro alla Scala Ballet Season 2011   2012 | Danza Ballet

Onegin  ©Teatro alla Scala

© 2012 Danza Ballet


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