TWO WORLD PREMIERES, WHOA, NELLIE! AND MIRROR MIRROR, HIGHLIGHT THE CHASE BROCK EXPERIENCE SEASON AT THE CONNELLY THEATER, JULY 8-11. COMMISSIONED SCORE BY MICHAEL JOHN LACHIUSA PLAYED LIVE AT ALL PERFORMANCES
Chase Brock, 26, makes dances the old fashioned way. No high tech video streaming or digital do-ha-ha’s. At least, not for The Chase Brock Experience’s season at The Connelly Theater, July 8-11, for which it is preparing two world premieres, “Whoa, Nellie!” and “Mirror Mirror.” (Brock did, however, create the choreography for the recently released Wii game, “Dance on Broadway.”)
danzaballet
Compañía Nacional de Danza de España
José Carlos Martínez, actualmente estrella de la Ópera de París, será el próximo director de la Compañía Nacional de Danza (CND) de España.
La Ministra de Cultura, Ángeles González-Sinde, anunció a las 17´00h del 17 de diciembre de 2010, el nombramiento de José Carlos Martínez como nuevo director de la Compañía Nacional de Danza.
Su fecha de incorporación será el 1 de septiembre de 2011.
Petite Danseuse de Degas – Ballet de l’Opéra national de Paris
La Petite Danseuse de Degas dans les salles de cinéma le 8 juillet.
L’Opéra national de Paris propose une saison de six ballets au cinéma, en France et en Europe, de juillet 2010 à juillet 2011, en partenariat avec CielEcran.
Ballet de l’Opéra national de Paris.
FINAL TWO WEEKS OF AMERICAN BALLET THEATRE’S 2010
CASTING ANNOUNCED FOR FINAL TWO WEEKS OF AMERICAN BALLET THEATRE’S 2010 SPRING SEASON AT METROPOLITAN OPERA HOUSE.
Guest Artist Natalia Osipova to Debut in Romeo and Juliet, Saturday Matinee, July 10. Casting for the seventh and eighth weeks of American Ballet Theatre’s 2010 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.
Director Kevin McKenzie
Dance Umbrella 2010
Dance Umbrella brings brave new dance to London.
We thrive on the dynamism and openness of the city and bring together artists and events which surprise and thrill audiences of all kinds. We commission, produce and present dance events and each year stage one of the world’s leading international dance festivals. Dance Umbrella opens out the dance experience by presenting a range of affordable and free-to-view events in unusual spaces.
Aportaciones a una metodología de la danza
El Institut del Teatre de la Diputación de Barcelona publica "Aportacions a una metodologia de la dansa (Aportaciones a una metodología de la danza)", obra póstuma de la que fue profesora de danza del Institut del Teatre, Marta Munsó.
Incluye versión en castellano.
BOLSHOI BALLET ACADEMY
BOLSHOI BALLET ACADEMY SET FOR 3RD ANNUAL EXCLUSIVE U.S. SUMMER INTENSIVE TRAINING PROGRAM IN NEW YORK STARTING JUNE 28, 2010
Presented by Russian American Foundation, Bolshoi Academy to offer classes to aspiring international dancers ages 9 to 15 and older in NYC and Connecticut. 10 students from Bolshoi Ballet Academy's summer intensive chosen to Spend 6 weeks this summer studying at Bolshoi in Moscow.
The Nutcracker Market – Les Grands Ballets Canadiens de Montréal
LES GRANDS BALLETS CANADIENS DE MONTRÉAL TAKES A NEW CONCEPT TO MARKET!
This November, Les Grands Ballets Canadiens de Montréal will inaugurate Montréal’s first-ever non-for-profit Christmas market, the Nutcracker Market, on the initiative of the company’s Executive Director, Alain Dancyger.
MASDANZA 2010
El Festival Internacional de Danza Contemporánea de Canarias, bautizado como MASDANZA, nace en Gran Canaria en 1996 por iniciativa de Natalia Medina.
MASDANZA cuenta con dos secciones oficiales a concurso: Certamen de Solos y Certamen Coreográfico.
del 23 al 30 de octubre de 2010 – Masplomas – Gran Canaria
The Stars of the Classical Russian Ballet in the Summer Ballet Festival 2010
"Summer Ballet Festival" – unique mega-project in Russia dedicated to popularize classical ballet which is property of national culture. To this day Russian classical ballet‘s lovers try to solve secret of popularity of this magic art phenomenon.
Four world-known ballet groups will take part in “Summer Ballet Festival” this year.






