danzaballet Akram Khan abre la 9ª edición del festival Mudanzas, Encuentros con la nueva danza
La inauguración del festival la realizará la compañía del prestigioso y excepcional coreógrafo Akram Khan, con música de Nitin Sawhney, y ocho bailarines de distintas nacionalidades en la representación de bahok.
Designed for teachers, company directors, and advanced dancers, the book explores the importance of disciplined dancing, choreography, acting, conditioning, and performance. White's writing style is as straightforward as he is unyielding in his insistence on excellence.
John White, former soloist and ballet master of the Ballet Nacional de Cuba and interim ballet master of the Pennsylvania Ballet Company, is codirector of the Pennsylvania Academy of Ballet.
"On Technique" provides a fascinating look into the careers and teaching philosophies of eighteen of the world's most respected ballet masters, principals, and artistic directors.
Dean Speer is the founding director of the Chehalis (Washington) Ballet Center, former artistic director of the Chattanooga Ballet, and regular contributor to Ballet-Dance Magazine.
“Es una familia disfuncional en una sociedad espiritualmente arruinada” ROBERT CARSEN, Director de escena de la ópera Salomé, de Richard Strauss
Por Mark Wiggins
Traducción de Gabriel Menéndez Torrellas y David Rodríguez Cerdán
Drama lírico en un acto – Libreto de Hedwig Lachmann basado en la obra homónima de Oscar Wilde.
Director de escena Robert Carsen.
Por Pablo L. Rodríguez – Teatro Real de Madrid
«La Bayadère» is a milestone of ballet literature. Its now legendary final act, the «Kingdom of the Shades», approximately half an hour of «ballet blanc», has gone down in dance history: The purest dancing, totally self-sufficient, with no dramatic link to the story, which presents a vision of ballet in the 20th century.
Dresden Semperoper Ballett – Staatskapelle Dresden
La gran ópera de Richard Strauss "El Caballero de la Rosa" será interpretada, en coproducción con la Semper Oper Dresden, en el Gran Teatre del Liceu de Barcelona. El libreto fue escrito por Hugo von Hofmannsthal y estrenada en Dresden en 1911.
10 – 13 – 16 – 19 – 22 – 25 de mayo, 2010 – Gran Teatre del Liceu
Nueva producción del Teatro Real en coproducción con el Teatro Regio de Turin y el Maggio Musicale Fiorentino.
El drama que Strauss llevó a los escenarios de la ópera de Dresde el 9 de diciembre de 1905 recoge una larga tradición mística, religiosa y literaria con más de dos milenios de antigüedad.
Teatro Real de Madrid
It will be a triple first when the newly opened Jerome Robbins Theater at the Baryshnikov Arts Center presents the American debut of the young Swiss troupe Zimmermann & de Perrot in the U.S. premiere of “Gaff Aff.”
When Mikhail Baryshnikov saw the duo perform in Essen, Germany in 2008, he was determined to bring this “amazing show” to New York. Hence, the company’s five-day season at BAC, May 4-8, marking the first dance performance in the 238-seat Robbins.
The Association of the Greek Choreographers is organizing the first International Dance Conference in Athens which is entitled: «Dancing Bodies: Practices and Politics» in collaboration with the University of Peloponnese – Department of Theatre Studies and Megaron, the Athens Concert Hall from April 22nd to 25th.
1st International Dance Conference of the Association of the Greek Choreographers