First NY Performances in 13 Features
Four North American Premieres

June 12 – 17, 2012 at Lincoln Center

The Australian Ballet, celebrating its 50th-anniversary, will present two programs featuring four North American premieres at the David H. Koch Theater at Lincoln Center, June 12 – 17, 2012. The company will return to NYC after more than a decade-long absence as part of its celebration. Both programs will be led by Music Director and Chief Conductor of The Australian Ballet, Nicolette Fraillon, with live orchestra.

The engagement opens on June 12 and 13 with Infinity, an all-Australian triple bill. First up is Luminous, a multimedia retrospective coupled with a diverse selection of pas de deux that will showcase the company’s rich history, followed by Wayne McGregor’s Dyad 1929 (created on The Australian Ballet’s dancers in 2009).  The final piece, Warumuk – in the dark night, is a new work in collaboration with Indigenous dance company Bangarra Dance Theatre, choreographed by Bangarra’s artistic director Stephen Page and featuring a mix of dancers from The Australian Ballet and Bangarra Dance Theatre.

Program II, on June 15, 16 and 17, features the North American premiere of Graeme Murphy’s critically acclaimed Swan Lake, A perfect illustration of the company’s innovative and dynamic style.  Swan Lake has won more than ten major awards and sold out theatres at home and around the world.

Artistic Director David McAllister is thrilled to be bringing the company back to New York with a stellar repertoire that showcases the dancers’ strength and artistry.

“In our 50th anniversary year, we are in peak form and this is an amazing opportunity to see the company perform stunning works which have defined and shaped us. This is our eighth tour of the United States, and we love performing there,” said McAllister.  “These works are all unique to The Australian Ballet and I can’t wait to share them with American audiences for the very first time.”

On the company’s last visit in 1999, the New York Times applauded the “sleekness, clarity and modern spirit” of the dancers, a tour that included the Bangarra collaboration Rites. In 2012, the company will be travelling to New York with a touring party of 120 members. The dancers will be joined by artistic, technical, wardrobe, medical and music staff. More than 650 costumes and 250 pairs of pointe shoes will travel 16,500 kilometres to reach their destination.


Bangarra Dance Theatre’s Patrick Thaiday and TAB’s Amber Scott, photo by Jess Bialek

Luminous (2012), various
Artistic Director David McAllister has combined five decades of repertoire and selected pas de deux that tell the story of a company growing throughout the ages in the first work of the program, aptly titled Luminous.  The program will be supported by a dance documentary played simultaneously as a moving backdrop to the performances, produced especially for this event by videographer duo The Apiary, and accompanied by live music.

Dyad 1929 (2009), choreographed by Wayne McGregor
Dyad 1929, which means ‘two’ or ‘otherness’, was created as part of a diptych, preceding Dyad 1909, which premiered at Sadler’s Wells, London.  The kinetic piece is set to the Pulitzer Prize-winning Double Sextet by Steve Reich, and was inspired by the creativity and passion of Diaghilev’s world famous Ballets Russes and the rapidly changing world events of the 1920s. McGregor created this new work on the dancers of The Australian Ballet.

Wayne McGregor is a multi award-winning British choreographer renowned for his physically testing choreography and ground-breaking collaborations across dance, film, music, visual art, technology and science mediums. He is the artistic director of Wayne McGregor/Random Dance, resident company at Sadler's Wells Theatre in London and resident choreographer of The Royal Ballet since 2006. In January 2011, McGregor was awarded a CBE (Commander of the Order of the British Empire).

Warumuk – in the dark night,  choreographed by Stephen Page
Warumuk – in the dark night, combines Western ballet with the spirituality of Indigenous dance.
This exciting partnership between Australia’s leading dance companies will premiere locally in February 2012 before heading to New York for its international debut. Bangarra is Australia's premier Indigenous performing arts company that bases its work on Aboriginal and Torres Strait Islander traditions and stories. Established in 1989 and under the artistic leadership of Stephen Page for the last twenty years, Bangarra’s ensemble of 14 dancers has developed a potent, original and distinctive style and tours throughout Australia and internationally. Winners of multiple awards, Bangarra has created a powerful dance theatre language that unifies the past and the present. Stephen Page’s new piece will be the first time The Australian Ballet has told an Indigenous story.

A descendant of the Nunukul people and the Munaldjali clan of the Yugambeh tribe from southeast Queensland, Stephen Page has developed an extraordinary signature body of work including Alchemy (1996), Rites (1997) and Amalgamate (2006) for The Australian Ballet and over 17 original works for Bangarra. Stephen was named NSW Australian of the Year in 2008 in recognition of his efforts to bring cultures together through the performing arts and his commitment to mentoring young Indigenous artists. In 2010, Stephen was honoured at the prestigious Australian Dance Awards for his Services to Dance and accepted Bangarra Dance Theatre’s award for ‘Outstanding Performance by a Company’ for Fire: A Retrospective.   

Swan Lake (2002), choreographed by Graeme Murphy
Set to Tchaikovsky’s lush score, this is Murphy’s modern interpretation of the classic story of love and betrayal between a princess, her prince and a woman with a prior claim on his heart. At once an homage to the grandeur of 19th-century classicism and an invigorating update that speaks to today’s audiences, this production has won ten major awards and sold out theatres across Australia and around the world.
Graeme Murphy was born in Melbourne and studied at The Australian Ballet School. He served as Artistic Director of Sydney Dance Company for 31 years, is a recipient of the Order of Australia and was named a National Living Treasure in 1999 by the National Trust of Australia.

Murphy’s many directing and choreographic credits include the upcoming world premiere of Romeo & Juliet, Swan Lake, Nutcracker–- the Story of Clara, Firebird and The Silver Rose (The Australian Ballet); Metamorphosis, Turandot, Salome and The Trojans (Opera Australia); Tivoli  (a Sydney Dance Company/Australian Ballet co-production); and Embodied (Mikhail Baryshnikov). He has also choreographed Death in Venice (Canadian Opera Company), Samson et Dalila (The Metropolitan Opera, New York) the movie Mao’s Last Dancer, and the Australian production of Andrew Lloyd Webber’s Love Never Dies in May 2011.

Founded in 1962, The Australian Ballet is one of Australia’s flagship arts companies, and for five decades has been the defining face of ballet in Australia. One of the busiest ballet companies in the world, The Australian Ballet annually presents over 630 performances and education events throughout Australia, in addition to regular international touring. In its 50th anniversary year, The Australian

Ballet will present its most expansive program ever. The company will share this special milestone with as wide an audience as possible, from performances in major Australian cities, to international and regional touring, presenting Education programs in schools and presenting live broadcasts on free-to-air television and in cinemas.

Recent tours include the landmark 2008 tour to Paris, Manchester and London with Bangarra Dance Theatre. In 2005 the company performed Graeme Murphy’s Swan Lake in London where the performances were awarded the UK Critics’ Circle award for ‘Best Foreign Dance Company’. Versatility, technical excellence and a warm, friendly style are the trademarks of The Australian Ballet, qualities that have earned both critical and audience acclaim. The Australian Ballet’s diverse repertoire reflects the company’s vision: caring for tradition, daring to be different. Each year, it performs works from the classical repertoire as well as contemporary works by major Australian and international choreographers and new commissions that explore the development and future of this dynamic art form.

David McAllister, a graduate of The Australian Ballet School, joined the company in 1983. He was promoted to senior artist in 1986 and to principal artist in 1989. His many principal roles with the company included those in Onegin, Romeo and Juliet, The Sleeping Beauty, Don Quixote, Coppélia, Manon and La Sylphide. In 1985 he won a bronze medal at the Fifth International Ballet Competition in Moscow, which saw him invited to return to the USSR as a guest artist where he made numerous appearances with the Bolshoi and Kirov Ballets. He danced for the final time in Giselle in March 2001 at the Sydney Opera House and became artistic director of The Australian Ballet in July 2001. He was awarded a Member of the Order of Australia in the 2004 Australia Day Honours List and was elected Vice President of the Royal Academy of Dance in 2005.

The Australian Ballet will present six performances at the David H. Koch Theater at Lincoln Center from June 12 – 17, 2012 (no performance June 14). Pre-sale tickets will go on sale in November, 2011.  For further information, visit


Infinity, An all-Australian Triple Bill (Three North American Premieres)
June 12 at 7:30 pm; June 13 at 8:00 pm

Luminous (2012), various
A multimedia retrospective provides the backdrop for this stunning showcase of pas de deux
Stage Concept: David McAllister
Videography: The Apiary

Dyad 1929 (2009)
Choreography: Wayne McGregor
Music: Steve Reich's Pulitzer Prize-winning Double Sextet
Stage concept: Wayne McGregor and Lucy Carter
Costume design: Moritz Junge
Lighting design: Lucy Carter

Warumuk – in the dark night (2012)
Choreography: Stephen Page
Music: David Page
Costume design: Jennifer Irwin
Set design: Jacob Nash


Swan Lake, (2002, North American Premiere)
June 15 at 8:00 pm; June 16 at 2:30 and 8:00 pm; June 17 at 3:00 pm
Choreography: Graeme Murphy
Creative associate: Janet Vernon
Music: Pyotr Ilyich Tchaikovsky
Set and costume design: Kristian Fredrikson
Concept: Graeme Murphy, Janet Vernon and Kristian Fredrikson
Lighting design: Damien Cooper



The Australian Ballet

© 2012 Danza Ballet


Body Ballet ® - Carolina de Pedro
La correcta danza clásica para adultos.
Danza clásica, elongación y estiramientos.
Desde 2003

Uso de cookies

Este sitio web utiliza cookies y Google Analitycs para que usted tenga la mejor experiencia de usuario. Si continúa navegando está dando su consentimiento para la aceptación de las mencionadas, y de nuestra política de cookies, privacidad y RGPD ACEPTAR

Aviso de cookies