EL BEATLE QUE SE APODERÓ DEL MUNDO DEL BALLET.
Al menos así parecía suceder, a juzgar por la propaganda y posteriormente por los llenos en el teatro Koch del Lincoln Center, donde el New York City Ballet (NYCB) presentaba el tan anunciado y esperado estreno del ballet “Ocean´s Kingdom”, con coreografía de Peter Martins, director artístico de la compañía, sobre la música de Sir Paul McCartney, escrita por encargo del NYCB.
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The Academy's flagship event is just around the corner and promises to be as exciting as ever! The city of Cape Town, South Africa, will host the Genée International Ballet Competition for the first time, from 6-9 October.
The Semi-finals are taking place on 6-7 October. The finalists will then compete on 9 October for the coveted gold, silver or bronze medal, as well as significant prize money. The live audience at the Final will also vote for their favourite candidate who will receive a special Audience Award.
Royal Academy of Dance.
Un homenaje, dice su comisario, Perfecto Uriel, director de la Casa de la Danza de Logroño, a todos los que hacen del flamenco una realidad y a los que contribuyen a su reconocimiento en nuestro país y en todo el mundo. Un guiño de afecto a todos sus interpretes “pasados, presentes, e incluso futuros maestros por llegar”.
La exposición cuenta con fotografías de artistas de la talla de Olga Pericet, Javier Barón, Mariano Cruceta, Antonio Najarro, Javier Latorre, Concha Jareño, Israel Galván, Eva Yerbabuena, Manuel Liñán, Belén Maya, Rafael Amargo, Antonio Canales, Joaquín Cortés, Antonio Márquez, Adrián Galia, Lola Greco, Rafael Amargo, El Grilo, El Pipa.
La exposición “Los Ballets Russes de Sergei Diaghilev y su influencia en el Art Déco” es sin duda el proyecto más ambicioso del Museo Art Nouveau y Art Déco en materia expositiva en sus dieciséis años de historia. La exposición es además una oportunidad única para potenciar la imagen de marca de Salamanca en el mercado turístico europeo en general y en el ruso en particular.
Museo Art Nouveau y Art Déco. Casa Lis
Sala de Exposiciones Hospedería Fonseca. Universidad de Salamanca.
del 4 de octubre a 29 de enero de 2012.
Pushing each other to new heights
3 October, Monday, 19:00
Sylvie Guillem and Russell Maliphant PUSH
Solo. Shift. Two. Push.
4 October, Tuesday, 19:00
Sylvie Guillem and Russell Maliphant PUSH
Solo. Shift. Two. Push.
John Neumeier choreographs Dialogue for Diana Vishneva in St. Petersburg, Moscow and New York.
John Neumeier is creating a ballet called Dialogue for Diana Vishneva. The Artistic Director of The HAMBURG BALLET and the Russian prima ballerina have known each other for a long time, now Neumeier is choreographing for her for the first time. The pas de deux is the highlight of a triple bill, which demonstrates the development of dance in the 20th and 21st Centuries.
TASCHEN has paired Mailer's original text (his 1973 biography Marilyn) with Bert Stern's extraordinary photographs—widely considered the most intimate ever taken of Monroe—to create a fitting tribute to the woman who, at the time of her death in 1962, was the world's most famous, a symbol of glamour and eroticism for an entire generation.
But though she was feted and adored by her public, her private life was that of a little girl lost, desperate to find love and security.
The Man from La Mancha
An in-depth exploration of Almodóvar’s complete œuvre
Un film de Almodóvar: whether appearing in his stylish opening credits or on the suggestive poster that invariably accompanies each of his films, this announcement triggers a range of expectations. Sexy and subversive, colorful and controversial, passionate and provocative, Pedro Almodóvar’s world is unlike any other director's. Thanks to his remarkably cohesive and consistent œuvre, the Manchegan maverick has become a reliable brand, his name a byword for the visual opulence, experimentation and eroticism of post-Franco Spanish cinema.
3 créations mondiales avec le soutien de JTI – Ballet du Grand Téâtre de Genève.
Petrouchka – Petrouchka – Les Sylphides.
Orchestre de la Suisse Romande – Direction David Parry.
Mais l’esprit des Ballets russes est resté intact : les plus grands chorégraphes de notre temps considèrent comme un grand privilège la possibilité de travailler sur Le Sacre du printemps, L’Après-midi d’un faune, Petrouchka, Les Sylphides ou Le Spectre de la rose.
Ballet y Orquesta del Teatro Mariinsky en el Palau de les Arts Reina Sofía. Fundació de la Comunitat Valenciana
Ballet "Romeo y Julieta" de Serguéi Prokófiev.
Director musical · Conductor: Valery Gergiev.