Dinámica Ballet
Escenario Patrimonio 2026
Festival Peralada
Clásicos en Ruta
CNDM 2026-2027
Abono Teatro de la Maestranza
Escenas de Verano 2026

La Fuente de Bakhchisarai

El 20 de septiembre de 1934, el ballet “La Fuente de Bakhchisarai” (The Fountain of Bakhchisarai) se estrenó en el The State Academic Theatre of Opera and Ballet Leningrad, hoy Mariinsky Opera.

El ballet, un poema coreográfico en cuatro actos con prólogo y un epílogo, está basado en un poema de Aleksandr Pushkin, su música es de Boris Asafiev y la coreografía de Rostislav Zakharov.

El día de su estreno los papeles fueron interpretados por Galina Ulanova – Maria, Zarema – Olga Iordan, Khan Girey – Mikhail Dudko, Vaslav – Konstantin Sergeyev. Desde entonces fue representado en muchos otros teatros con muchísimo éxito. Durante los últimos 80 años, durante la histórica etapa del Teatro Mariinski, había sido bailado un total de 951 veces.

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Russian Ballet Master: The Memoirs of Marius Petipa

de Marius Petipa (Autor), Lillian Moore (Redactor), Helen Whitaker (Traductor)  

The memoirs of Victor Marius Alphonse Petipa (11 March 1818 — 14 July 1910), a French-Russian ballet dancer, teacher and choreographer.

These highly entertaining memoirs of Marius Petipa, the great Franco-Russian choreogapher had never before been translated into English before their first publication in 1958. As virtual dictator of the Russian ballet in the second half of the 19th century, Petipa moulded its course for many years and may have been said to have created the style of classical dancing still known as Russian.

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Dancing in Petersburg: The Memoirs of Mathilde Kschessinka

by Mathilde Kschessinka (Author).

There have been wonderful books about dancing, and superbly evocative ones about old Russia: but here the two themes are fascinatingly wedded.

For these are the memoirs of the prima ballerina assoluta of the imperial Russian ballet, Mathilde Kschessinska (the Princess Romanovsky-Krassinsky), with whom, at her first appearance, the Tsarevitch Nicholas fell in love.

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Choreographer Akram Khan, Giselle for English National Ballet

Choreographer Akram Khan creates a brand new version of Giselle for English National Ballet

One of the greatest romantic ballets of all time, Giselle is the first full length ballet choreographed by Akram Khan and sees Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon) create the set and costumes, while musician, composer, and producer Vincenzo Lamagna creates an adaptation of the original score by Adolphe Adam, performed by English National Ballet Philharmonic.

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Balance 30º edición del Festival Castell de Peralada

Nota de Prensa – Difusión solicitada por: Estrenos, debuts, propuestas de pequeño formato y fidelidades en el 30 aniversario del Festival de Peralada. El clásico del verano cierra con 25.600 espectadores y un 91% de ocupación. El Festival de Peralada continúa creciendo en espectadores potenciando las propuestas de mediano y pequeño formato El Festival de … Leer más

Bolshoi Ballet in Cinema Announces 2016-2017 Season

For the seventh consecutive year, the Bolshoi Ballet opens its doors to audiences in cinemas across the globe with its 2016-2017 season: 7 unique ballets, comprising four broadcasts live from Moscow via satellite (“The Golden Age”, “The Sleeping Beauty”, “A Contemporary Evening”, and “A Hero Of Our Time”) and three other must-sees of the company (“The Bright Stream”, “The Nutcracker” and “Swan Lake”), will be presented in HD with 5.1 sound.

Along with productions created by some of today’s most talented and renowned choreographers coming out of Russia (Alexei Ratmansky, Yuri Grigorovich, and Yuri Possokhov), the Bolshoi presents an evening dedicated to exceptional choreography by modern giants: Hans Van Manen, Sol Leon and Paul Lightfoot, also featuring a piece by Ratmansky.

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El ruido del tiempo de Julian Barnes

El 26 de enero de 1936 el todopoderoso Iósif Stalin asiste a una representación de Lady Macbeth de Mtsensk de Dmitri Shostakóvich en el Bolshoi de Moscú. Lo hace desde el palco reservado al gobierno y oculto tras una cortinilla. El compositor sabe que está allí y se muestra intranquilo.

Dos días después aparece en Pravda un demoledor editorial que lo acusa de desviacionista y decadente. Un editorial aprobado o acaso escrito de su puño y letra por el propio Stalin.

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Vaganova Ballet Academy: Vaganova-PRIX 2016

The Vaganova Ballet Academy is reviving the International Ballet Competition Vaganova-PRIX 2016.

The Vaganova Ballet Academy supported by the Ministry of Culture of the Russian Federation is reviving the International Ballet Competition Vaganova-PRIX for students of choreographic schools, colleges and academies. This year, the seventh edition of the Competition will be held in St. Petersburg on October 23– 29.

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