danzaballet 
Choreographer Akram Khan creates a brand new version of Giselle for English National Ballet
One of the greatest romantic ballets of all time, Giselle is the first full length ballet choreographed by Akram Khan and sees Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon) create the set and costumes, while musician, composer, and producer Vincenzo Lamagna creates an adaptation of the original score by Adolphe Adam, performed by English National Ballet Philharmonic.
Nota de Prensa – Difusión solicitada por: Estrenos, debuts, propuestas de pequeño formato y fidelidades en el 30 aniversario del Festival de Peralada. El clásico del verano cierra con 25.600 espectadores y un 91% de ocupación. El Festival de Peralada continúa creciendo en espectadores potenciando las propuestas de mediano y pequeño formato El Festival de … Leer más
For the seventh consecutive year, the Bolshoi Ballet opens its doors to audiences in cinemas across the globe with its 2016-2017 season: 7 unique ballets, comprising four broadcasts live from Moscow via satellite (“The Golden Age”, “The Sleeping Beauty”, “A Contemporary Evening”, and “A Hero Of Our Time”) and three other must-sees of the company (“The Bright Stream”, “The Nutcracker” and “Swan Lake”), will be presented in HD with 5.1 sound.
Along with productions created by some of today’s most talented and renowned choreographers coming out of Russia (Alexei Ratmansky, Yuri Grigorovich, and Yuri Possokhov), the Bolshoi presents an evening dedicated to exceptional choreography by modern giants: Hans Van Manen, Sol Leon and Paul Lightfoot, also featuring a piece by Ratmansky.
El Bolsho Ballet en Cinemes Girona. Temporada 2016/2017.
Los Cines Girona forma parte de Europa Cinemas.
El 26 de enero de 1936 el todopoderoso Iósif Stalin asiste a una representación de Lady Macbeth de Mtsensk de Dmitri Shostakóvich en el Bolshoi de Moscú. Lo hace desde el palco reservado al gobierno y oculto tras una cortinilla. El compositor sabe que está allí y se muestra intranquilo.
Dos días después aparece en Pravda un demoledor editorial que lo acusa de desviacionista y decadente. Un editorial aprobado o acaso escrito de su puño y letra por el propio Stalin.
The Vaganova Ballet Academy is reviving the International Ballet Competition Vaganova-PRIX 2016.
The Vaganova Ballet Academy supported by the Ministry of Culture of the Russian Federation is reviving the International Ballet Competition Vaganova-PRIX for students of choreographic schools, colleges and academies. This year, the seventh edition of the Competition will be held in St. Petersburg on October 23– 29.
Palais des Festivals et des Congrés. dimanche 31 juillet 2016 – 21:00
Du lundi au samedi de 10h à 18h et 1 heure avant chaque représentation sur le lieu du spectacle. Forfait parking du Palais des Festivals à 6€ pour 7 heures. En vente avant chaque représentation à la Billetterie du Palais des Festivals sur présentation de votre ticket spectacle. Une soirée où l’excellence chorégraphique fera la part belle à l’émotion !
Ballet and Orchestra Tour, London 2016
The Bolshoi Ballet ‘brand’ was born sixty years ago during the Company’s first foreign tour. The tour was to London and the date was 1956. The Bolshoi Ballet appeared at The Royal Opera House where the ovations brought the house down and aroused a second wave of interest in ballet in general and in Russian ballet, in particular (the stimulus for the first wave was, of course, Diaghilev’s Ballets Russes). It was the 1956 tour which made the Company’s name and won for it worldwide recognition.
Alla Osipenko is the gripping story of one of history’s greatest ballerinas, a courageous rebel who paid the price for speaking truth to the Soviet state.
The daughter of a distinguished Russian aristocratic and artistic family, Osipenko was born in 1932, but raised almost in a cocoon of pre-Revolutionary decorum and protocol. In Leningrad she studied directly under Agrippina Vaganova, the most revered and influential of all Russian ballet instructors. In 1950, she joined the Mariinsky (then-Kirov) Ballet, where her lines, shapes, movement both exemplified the venerable traditions of Russian ballet and projected those traditions into uncharted and experimental realms. She was the first of her generation of Kirov stars to enchant the West when she danced in Paris in 1956.
Nota de Prensa – Difusión solicitada por:
Emisión sábados y domingos por la 2ª de TVE a partir de las 8 de la mañana.
Arturo Morales Director de los conciertos de la 2ª de TVE