danzaballet 
Makarova was one of the great Russian defectors of the 70’s. Along with Rudolf Nureyev and Mikhail Baryshnikov, she made the «leap» to the West in search of artistic freedom.So Makarova was probably THE ballerina at the time, although her partners would sometimes get more press. But not because of what was happening onstage.
Por Javier Velasco (California, United States) Artistic Director San Diego Ballet.
Por Silvana Cardell
A music and dance course with Trinity and Laban
This exciting collaborative music and dance project will be between Adult Dancers from Laban, and Blackheath Halls Community Orchestra.
Conservatoire for professional contemporary dance training in London.
by Joan Acocella – The NewYorker
Cuando terminé de leer el libro, me sentí como si hubiera acabado de pasar un curso intensivo de historia del arte, pero con nuevas perspectivas enriquecedoras, en las que nunca había reparado cuando impartí esa materia varias veces en México, pues Isis relaciona el ballet con la arquitectura y el arte gótico de una manera tan original, cuando se refiere al «goticismo del cuello largo” , y a la búsqueda “goticizante” de la elevación por el bailarín, equiparable a la del arco ojival que caracteriza a ese estilo.
Por Santiago Martín
Oct 1 – 5, 2008
A Workshop with Ariel Freedman
Baryshnikov Arts Center – July 14 – 26, Monday through Saturday, 10am-2pm.
The two-week workshop series with Ariel Freedman will introduce the gaga vocabulary as a way into the repertoire of the Batsheva Dance Company and Ensemble.
